Review by Newton Ooi for The Great Gatsby Rating:
This book is part of a four-volume series of books by F. S. Fitzgerald produced by this publisher; the other three being The Last Tycoon, This Side of Paradise, and Tender is the Night. The Great Gatsby is of course, the most famous of them all, and probably one of the most famous novels of American literature. Written before the economic growth post WWII brought riches to everyone, this book provided the American masses an in-depth glimpse of the lives and loves of the rich and famous. The book here revolves around Nick, his friend Jay Gatsby, the love of Gatsby’s life, Daisy, and her shallow husband Tom. Gatsby rose from poverty to become incredibly rich thru means both scrupolous and not, and then spends his thoughts and energies pining after the beautiful Daisy. Every aspect of his life is devoted to enriching himself and/or his stature in the Long Island community he has transplanted himself into. All for naught are his efforts as the book ends.
This book did not begin that American literary genre of books that critique the rich, but coming out at a similar time as Veblein’s “Theory of the Leisure Class” this book is the perfect fictional complement to Veblein’s nonfiction account of the rich and their vices. Here, in these pages we see the sins of alcoholism, adultery, pride, arrogance, jealousy, shallowness, and irresponsibility that are allowed by a wealthy lifestyle where much idle time allows for many dishonest thoughts. At first unpopular, this book eventually became the mainstay of classrooms that it now is. Hollywood and modern American literature has mimicked the themes and often storylines of this novel; think soap operas, the Kennedys, and Danielle Steele novels. Overall, the book is a classic, worth reading and having, though it does not get this reviewer’s vote as the best book of American literature.
Written by Dr. Damon Labarbera about 2 years ago.
Review by Dr. Damon Labarbera for The Great Gatsby Rating:
The Great Gatsby is nearest the perfect novel our country has produced. The first twenty pages represent the smoothest prose to be found in a modern novel, and introduces the ideal narrator, Nick Carroway, truthful, dryly humorous, accepting, nonjudgmentall, kind, modest, and likable. The story moves along briskly, though not big on magniloquent ideas. Rather, the story is a chronicle. It etches in stone the Jazz Age, with all its superfluities, excesses, and bubbly froth. It has every American theme–the nostalgic look backwards to aristocracy, the striving for success, the have’s and have nots, the intersection of the old and new, the loss of hope for those who can’t keep up with their dreams, and the bumptious, hyperactive quality that supposedly characterizes our country. There is rarely a paragraph that does not have wit, poignancy, and the eye of the narrator registers all with a detached discernment. Indeed, the overarching consciousness and morality of Nick Carroway may be the best part of this great novel. Through Carroway, the action of the novel moves along, giving a moral ascendancy to all the sordid and comic activities he views. The novel is uniquely evocative, rousing in the reader feelings of humor, sadness and regret that only the best art can, so that the reader himself experiences a sense of yearning for all that has passed, for the romanced past, just like the protagonist, who seek vainly to regain it. And the last lines of the novel are amongst the most poignant ever written. Damon LaBarbera, PhD
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